In 1968 I received this book as a bonus from the Farm Family Book Club. I started to read it in the evening and read until I was finished at 4:00 a.m. The next day I said, "If Brother Andrew can trust God for 365 days a year, I can trust Him for one day, no matter how foolish it makes me look." I did, and I did look foolish. But I found out that He is faithful. My life has never been the same.

If self-sacrifice is the mark of true heroism, then Brother Andrew is in a class with the most valient. This book tells his story from birth and youth in WWII poverty, to the agnosticysm of a young man to the realization that God is REAL and part of his life. It will challenge your faith to rely on God as if he were a king leading his troops into battle. He is. Brother Andrew's story is one of the most involving STORIES I have read. But it isn't just a story, it is the life of a real man who has given everything for the mission to spread light to a dark land. Just because the Iron Curtin has fallen, dosen't mean that this book is any less relevant today. It will change your faith. Gaurenteed.

This book can change your life and how you see God. Brother Andrew gave his life totally to God, and God remained faithful to him. you cannot read this book and come away with the same view on God. I read this book, and could not put it down. Sure to strengthen your Christian experience. As thrilling as any spy novel. Not one to be missed by any christian. What one person can do when they give themselves totally to God. If you thought the result would be a dull life, you're dead wrong! Read the book!
IF YOU LIKED THIS, I HAVE ANOTHER TO RECCOMEND. It's called "A Thousand Shall Fall" But you must be sure to get the right one. The full title is "A thousand shall Fall: The electrifying story of a soldier and his family that dared to practice their faith in Hitler's Germany." Written by Suzy Hazel Mundy. It's as much of a page turner as this book and will also change your life.

Happy reading!

The author provides a first hand account on the civil war that ravaged Lebanon for more than 15 years. Having been a journalist for the British Times and now the Independent in London, he lived and reported from the part of the country that suffered most, West Beirut. Robert Fisk provides detailed analysis of the war, the politics, and describes the gruesome attacks and massacres on civilians by the Israelis and their allies. He witnesses the kidnapping of his fellow journalists and narrowly escapes it himself. He discusses both the Syrian and Israeli invasions of Lebanon. The author maintains, as humanly possible, objectivism as he reports on this war with no winners. Excellent reading. Cynical writing. Good history book for non-lebanese and for those with little knowledge on the war.

As he does so regularly for the English newspaper "The Independent", Fisk provides a brilliant account and analysis of Lebanon. He is particularly good on the misreportage of events by the Western media, and on the Israeli propaganda machine, and his account of the kidnapping of his friend Terry Anderson is superb. Reading this book leaves you both sad and angry. Good accompanying reading is William Dalrymple's "From The Holy Mountain," in which he interviews Fisk.

Robert Fisk has produced the most accurate book that describes Lebanon between 1975 and 1990. This is the most factual book that you will ever read about Lebanon.

This is the most beautiful, brilliant Christmas book I have ever seen. It is for all ages, not just 4-8. Sabuda pays attention not just to how the pop-up image looks when the page is open, but also to the way in which the image emerges. The simplicity of images, use of color, and imagination all combine to make this a perfect book.

The classic Christmas song is illustrated in all of its verses in this charming book. The pop-up pictures are delightful, and some of the depictions actually are exquisite, halfway between oragami and sculpture. The art is the work of a visionary. This is a lovely book for children, but adults really may appreciate it more than little ones do.

Even though I am a teenager, I love Sabudas' The Twelve Days of Christmas. This book is magical because when you turn to each page you see a magnificent array of creativity. Each time I read it (many times!) I study how all those paper designs work so perfectly. I especially love the jewelry box, swans, and reindeer. It is a real treat for your eyes as well as your imagination. I recommend it for all ages, and would be a perfect gift for the holiday season.

If you read this book as long ago as I did, you probably
first heard about it from Douglas Hofstadter's "Metamagical Themas" column in _Scientific American_, or the book in which his columns were collected. (If you're just now being introduced to this book, check out Hofstadter's too; his discussion of it is very helpful and insightful.)

What Robert Axelrod describes in this book is a novel round-robin tournament (actually two such tournaments) in which various game-theoretic strategies were pitted against one another in the game known as the Iterated Prisoner's Dilemma. Each strategy was scored, not according to how many times it "beat" its "opponent," but according to how many points it accumulated for itself. The surprising result: a strategy dubbed TIT FOR TAT, submitted by Anatol Rapaport, cleaned everybody's clocks in both tournaments.

Why was this surprising? First, because TIT FOR TAT was such a simple strategy. It didn't try to figure out what its "opponent" was going to do, or even keep much track of what its "opponent" had _already_ done. All it did was cooperate on the first move, and thereafter do whatever its "opponent" had done on the previous move. And second, because this strategy can _never_ do better than its "opponent" in any single game; the best result it could achieve, in terms of comparison with the other player, is a tie.

So it was odd that such a simple strategy, one that went up against all sorts of sophisticated strategies that spent a lot of time trying to dope out what their "opponents" were up to, should do so much better than all the "clever" strategies. And it was also odd that a strategy that could never, ever "beat" its "opponent" should nevertheless do so much better _overall_ than any other strategy.

As Axelrod is careful to point out, this isn't always true; how well TIT FOR TAT does depends on the population with which it's surrounded, and in fact it wouldn't have won even _these_ tournaments if certain other strategies had participated. But TIT FOR TAT is surprisingly robust, and its success does offer some tentative political lessons.

Axelrod spells them out, in the form of principles like "Be nice and forgiving" -- which means: never be the first to defect; be quick to forget what your "opponent" has done in the past. And in a follow-up computer simulation, he shows that it's possible -- under some conditions -- for a little cadre of "cooperators" to increase their numbers and "take over" a population that practices other strategies.

Axelrod's research was and is important for several reasons, one of which has to do with evolutionary theory: it shows that, under the right conditions, natural selection can tend to generate cooperation rather than competition, even among actors who act solely out of self-interest. Another has to do with the spontaneous growth of cooperative behavior in predominantly competitive or hostile environments (Axelrod's examples include holiday cease-fires in the trenches during the First World War). Yet another has to do with the need (or otherwise) for external authorities to _enforce_ cooperative behavior -- a point not lost on Axelrod's libertarian and/or Hayekian readers, including myself.

Nevertheless, as groundbreaking as this work is, the results are modest and Axelrod states them very cautiously. TIT FOR TAT doesn't _always_ "win," and in any case not all of our social interactions can be modelled as Iterated Prisoner's Dilemmas. It's a _very_ hopeful book, but readers will want to be careful not to claim more for Axelrod's results than he claims for them himself.

In short, this volume is a solid piece of political-sociological-mathematical research that has stood the test of time and stimulated all sorts of follow-up work. I expect it will be read for a long time to come -- this conclusion being a simple extrapolation from the fact that I've been reading it for almost two decades now myself. It's fascinating.

If you're an intellectual and want to read a book that will change your perception of many facets of the world forever, this is the book for you. It's not a long read, but you will spend a lot of time thinking about all its implications as you read it. I found it applicable to everything from inviting people to parties, to business and personal relationships, to species competition, to wondering whether a theoretical race of super-powerful extraterrestrials would enslave us, to... Well, you just have to check it out!
I'm reading the sequel ("The Complexity of Cooperation") right now, which is also amazing. In it he quotes a letter written to him about EoC by a woman who claims that the principle developed in it helped her with her divorce proceedings! How can you miss a book with such broad applications.

Though I've never seen the two linked elsewhere, this book explains how Linux and Open Source developers can succeed in a world populated by back-stabbing defectors. A wonderful book and an easy read. Recomended for anyone who cooperates.

For business readers, consider Co-opetition by Nalebuff etal and the Death of Competition by Moore.

I just recently purchased this collection of poems by Robert Frost and I must say it's incredible. This is the complete collection of his poems and for the price it can't be beat. How can you put a price on the joy and the wonderful feeling of reading Frost anyway? It's impossible.

Contained are the poems in a chronological order from Frost's first book of poetry "A Boy's Will" to his last, "In the Clearing". A total of eleven books and more than three hundred and fifty poems.

Also at the end of the book are sixty pages of bibliographical and textual notes as well as an index of first lines and titles. A quick way to find exactly the poem you're looking for.

Pick this collection up and be moved, it's that simple really. Enjoy

Robert Frost was and is America's greatest poet. Excepting, perhaps, W. B. Yeats, he may be the greatest poet to write English in the twentieth century. (To me, it's a toss-up.) To read this volume systematically or desultorily is to become convinced of that. But Frost is, above all, accessible, so the casual reader may not appreciate the difficulty of what he does. Like much of the greatest art his looks easy, even inevitable.

All of Frost's poems are here, plus his two dramatic Masques. When this book first appeared (in 1969) it caused a furor: the editor, it was angrily asserted, presumed too much. He dared to clarify - inserting a hyphen here, excising a comma there. That furor has since died down, as people realize that he did not do away with the sacred texts (any emendation was noted), but simply performed his job as editor. He regularized spelling and the use of single and double quotes (though not Capitalization, which can legitimately be thought of as integral to the poet's expression (think of e.e. cummings!)), and corrected other obvious errors. The notes give the published variants for each poem, so if you wish you may make your own call on some of these finicky issues.

The paperback and hardcover editions are identical, except for the covers, of course. I would, however, buy the hardcover. After all, you will be reading this book for the rest of your life. It is a beautifully-built volume, of an easy size and heft for use, with understated appealing typefaces and an exemplary design. Put out by Frost's long-time publisher, this is one of the few essential books of American literature.

While other poets must abide our endless questioning regarding contemporary poetry, Robert Frost stands head and shoulders above the rest--free and serene and magnificent, truly the George Washington of modern American verse. Frost was honored with the Pulitzer Prize on four occasions: in 1924 for "New Hampshire;" in 1931, for "Collected Poems;" in 1937 for "A Further Range;" and in 1943 for "A Witness Tree."

Critics love Frost. The American people love Frost. The world at large loves Frost. You will love Frost, too, if you read this book. Begin with one of his most famous--and his most beautiful, "Mending Wall,"

Something there is that doesn't love a wall,/ That sends the frozen-ground-swell under it,/ And makes gaps even two can pass abreast...

Never to be forgotten, of course, is that talk with the taciturn neighbor, owner of the pines beyond Frost's apple orchard, who stubbornly says, in typical New England fashion, "Good fences make good neighbors," until one day, Frost suddenly sees him,

Bringing a stone grasped firmly by the top/ In each hand, like an old-stone savage armed./ He moves in darkness as it seems to me,/ Not of woods only and the shade of trees./ He will not go behind his father's saying,/ And he lives having thought of it so well/ He says again, "Good fences make good neighbors."

"Stopping by the Woods on a Snowy Evening," ends with words anyone of any age can relate to,

But I have promises to keep,/ And miles to go before I sleep./ And miles to go before I sleep.

"The Death of the Hired Man," with its poignancies as deep, no doubt, as the death of any salesman could ever be, inspired these beautiful lines,

Home is the place where, when you have to go there,/ They have to take you in./ I should have called it/ Something you somehow haven't to deserve.

The poems of Robert Frost possess a beauty so serene that we feel no need, no urge, to denigrate the work of other poets in order to expand Frost's praise. Despite the amazing diversity of talent that comes to mind when the names of MacLeish, Leonie Adams, Auden, Peter Viereck, Wallace Stephens, Robert Lowell, E.B. White, Karl Shapiro, Langston Hughes, William Carlos Williams, Arna Bontemps, Marianne Moore, e e cummings, Allen Tate and T.S. Eliot are mentioned, Frost does, indeed, tower above them all.

Frost has been eloquently compared to every rock and rill, every tree and shrub in his New England hills, and to almost every major figure in the New England past, including George Washingtion. He has won homage so completely and deservedly that it is as easy to think of him as a member of the Concord Group as it is to imagine Thoreau writing the opening paragraphs in the New Yorker's Talk of the Town.

Frost, though, could be cheerfully topical, as when writing "U.S. 1946 King's X,"

Having invented a new Holocaust/ And been the first with it to win a war,/ How they make haste to cry with fingers crossed/ King X's--no fair to use it anymore!

Frost saw much of the world after his birth in San Francisco in 1875, and he looks over the prospects of the entire universe in, "It Bids Pretty Fair,"

The play seems out for an almost infinite run./ Don't mind a little thing like the actors fighting./ The only thing I worry about is the sun./ We'll be all right if nothing goes wrong with the lighting.

Robert Frost is truly an American original and a world genius. There will never be another.

No doubt the book is a little draggy and you can glean a lot of what Musil wants to say in his earlier more tightly written work. But, read this work (I've read this work twice) with the unpublished posthumous papers and you will get a feel of the vast scale of this masterpiece. If Musil had lived to complete this masterwork the way it would have inveitably turned out, it would have been the greatest novel of the century. It would have been the consummation of European thought of several centuries placed in context of both the first and second world wars...now that's something to think about.

I've only gotten through volume l and part of volume ll (so far). I agree that I find it incredible that Musil is not as well known as Proust...he's his equal as a writer and in my opinion a much finer thinker. The brilliance of the book is in the extended introspections rather than the events...the multi-page musings on the human condition illustrate the timeless aspects of what we conceitedly think of as our "post-modern" psychic quandry. In common with Proust we are inside the protagonist's head, but in the third rather than first person, which gives the experience a different feel...we're a little outside at the same time. It's a ghostlier sort of connection, but I think equally as immediate. We walk the streets of Vienna as vividly as Chambray, but, perhaps Ullrich's less romantic nature, I find him a better correspondent. His perceptions are intellectual rather than the sensual, and yet, experiencing that intellect is a sensual experience for the reader (at least for this one!)

A note: I do not think the recent translation compares to the original English one...it may read more breezily, but my brief comparison suggests that it loses a LOT of subtlety in trying to achieve a more colloquial, effortless, less dated narrative voice. For instance, a passage in the original English translation reading "knowledge was beginning to become unfashionable" is translated in the new as "science became outdated". Two totally different meanings, and the first is clearly closer, given the context..(in which Musil is waxing sarcastic about a silly but dangerous bourgeois "believing" fad - spookily portentious of the Hitler era). An incredibly absorbing psychological novel...if your reading time is precious...nothing will reward more deeply or stay with you longer.

Of all the great European novelists of the first third of the century -- Marcel Proust, James Joyce, Franz Kafka, Thomas Mann, Knut Hamsun, Herman Hesse -- Robert Musil is far and away the least read; and yet he's as shapely as Gibbon, as mordant as Voltaire, as witty as Oscar Wilde and as indecent as Arthur Schnitzler, a fellow Viennese writer who gets more attention. "The Man Without Qualities" is an extraordinary amalgam of the formidable, the delicious and the unfinished; and no doubt each of these attributes is in some measure dissuasive.

If we take it that the characteristics of 20th-century life are fatuity, doubt and confusion; the "barbaric fragmentation" of the self, where "impersonal matters . . . go into the making of personal happenings in a way that for the present eludes description"; a crisis of individual identity and collective purpose -- then it is Musil's astonishing achievement to make a comedy of all this.

The book begins with a baroque meteorological description; its first action is a car accident; the hero is first seen looking out of a window, stopwatch in hand, conducting a statistical survey of passing traffic. Can there be any doubt that it is a prophetic book about our world? Musil is us. The world of "global Austria" in 1913 and "the Parallel Action" -- the plan, in the novel, to claim 1918 for the jubilee celebrating the 70th year of the reign of the Emperor Francis Joseph before the Germans get it for Kaiser Wilhelm's 30th, made nonsense of by the intervention of World War I -- is our world of the United Nations International Decade for Natural Disaster Reduction and other fatuous schemes. While Musil's contemporaries Proust and Joyce chose interiority and the private world of memory, Musil is uncannily prescient about modern life, where sportsmen and criminals are indifferently idolized, where quantity sits in judgment on quality, so that an author, as Musil puts it, "must have an awful lot of like-minded readers before he can pass for an impressive thinker," where we sit and stew among "bobsled championships, tennis cups and luxury hotels along great highways, with golf course scenery and music on tap in every room." So "The Man Without Qualities" is satire; as one character says, "The man of genius is duty bound to attack." However, it is not harsh satire, nor is it sour. There is something loving about it. Musil's tone is unlike anyone else's. Partly it is the Austrian melancholy that underlies the book, the melancholy of a defunct empire, of a closed conditional: what was to happen did not. WHAT if, the novel implies, instead of expressing itself in the carnage of World War I, human folly had chosen another form? Partly it is the equable irony that plays over every character, institution and group in the book that makes reading Musil such an exquisitely flattering experience. No characters in the book escape mockery -- especially for taking themselves so seriously. All of them are skewed and partial, but none are caricatures; perhaps the book's almost complete lack of physical description plays a part here -- and yet, in spite of that, you feel you could pick them out in a lineup. They are Musil's puppets.

In his early career he wrote stories, plays and novels that had a certain popularity. But none of those prepare a reader for the expanse of "The Man Without Qualities". It took up the last two decades of his life, before he died in self-imposed exile in Switzerland in 1942, at the age of 61. It is a quite overwhelming novel, quite indeed...

Owls in the Family is wonderfully funny nonfiction book about A boy and his two owls. Many times I laughed out loud. A wonderful read !

Every year I read this book to my 5th graders and everyone in the class loves it. It is my favorite book to read to start the year. I even have kids who go on to read "The Dog Who Wouldn't Be." The book is written in 1st person and the kids get really excited about owls because not only is it a story of the authors adventures with two owls, but it tells a lot of facts about owls and the northern praries.

If you're new to the writings of Farley Mowat, this book is a great place to start. You will love it. If you have kids, THEY will love it. Wol and Weeps, the two feathered protagonists, are two of the most lovable pets you'll ever read about in print. Wol especially steals the show when it comes to dealing with crows, dogs, skunks, and a really mean French teacher called Fifi.

Make no mistake, Owls in the Family is a family treasure that deserves to be read time and again. Pick it up without hesitation!

This is a big book, immense really, containing some 17 sagas and tales of the Icelanders. It is a selection from the even larger collection of Viking sagas called "The Complete Sagas of Icelanders." Readers interested in Medieval Literature will surely want to add this book to their collection. These are crisp, new translations that bring the stories of the Vikings to life.

Fans of the literature of the Mediterranean region a thousand years ago, works such as "Poem of the Cid" or "Song of Roland" will notice great differences here. Unlike much of the epic poetry there, the Icelandic Sagas are written in prose. Even so, many of the tales include extensive poetry, for the Vikings admired warrior-poets.

Many of these tales read like history and cover long sequences of time. They "feel" very real. For example, in "Egil's Saga" many generations pass before it is over. Egil himself doesn't make an appearance in the story until almost midway through. The sagas are often the stories of ordinary people rather than kings and knights. But be forewarned, there is much violence here. The modern reader may be bothered by the tendency toward quick violence and sudden death as characters punish with a sudden ax to the head those who have "wronged" them and are admired for such behavior. "The Sagas of Icelanders" includes extensive introductory essays and appendices to help the reader understand this fascinating period of time and these unique peoples.

This is a great value. A wide collection of Icelandic sagas and short stories. Some of the short stories I've never heard of before.
The one about the Pagan ghosts messing with the Christian while he was using the outhouse was very funny. If you are at all interested in the sagas, buy this book. Many of the used copies go for under ten bucks. Can't bet it.

My historian Father sent me this after I made some sort of witless comment about Leif the Lucky, & when it arrived I was somewhat taken aback -it is HUGE, close to 800 pages if you include index & glossary-but once you dive in, it is hard to put it down. Here we get the stories of the Viukings of the Northwest Atlantic -the Icelanders of the title plus the doomed expeditions to Greenland and Vineland-told in all their wild glory. Of course one wishes one could read it in the original, of course one wishes to hear it sung, but this is the story of a real "other" history that all too often gets left out of the standard texts. This collection contains 10 sagas and several Tales by different translators. While having a number of different folks doing the translation makes for a somewhat uneven "voice" overall I found myself slipping from saga to saga with no trouble. The book includes a nice introduction, several useful maps, plus some simple diagrams of Norse ships and buildings. Anyone with an interest in sea-farers and the history of the north would be well advised to hit their "one-click" buttons right now, then, as soon as the box comes, throw an extra log or two on the fire, pour yourself a flagon of the closest you can get to mead & kiss the rest of the day goodbye -you are in for a treat!

Agile Software Development is a great Object-Oriented Design book that presents it's subject in the context of Agile Development. The book delivers solid design and programming advice in a very "light" style. Not light in that it avoids technical detail! No, Bob seems to have taken the principles of agile development and applied them to the art of technical book writing.

The book is divided into six sections and has four appendices. There are numerous UML diagrams and many code examples in C++ and Java. If you don't know UML two of the appendices will introduce you to it.

The book takes a top down approach to presenting the material. You are first given a quick overview of agile development practices. I particularly liked the Testing and A Programming Episode chapters from this section. The second section presents five high-level design priciples that every developer should learn and apply.

Case studies dealing with a payroll system, weather station software, and testing software are then presented. Each case study section starts by discussing the design patterns that will be seen in the case study. Section Four discusses subdividing the payroll system into packages. Six principles and a set of package Dependency Management metrics (I've known them as the "Martin Metrics" for years) are covered. The book wraps up with the two UML appendices mentioned above, a comparison of two imaginary developments, and an interesting article by Jack Reeves.

In my opinion Agile Software Development Principles, Patterns, and Practices is the best OOD book out there.

The title of this book belies much of its content. While agile development practices are espoused, much of the content is concerned with the application of design patterns in accordance with Robert's OO design principles.

Robert does a wonderful job of explaining each design pattern, demonstrating their use through code, and placing them within the context of his design principles. The examples are numerous and, with a few exceptions, well written.

Robert's OO design principles are real gems. His pragmatic approach combined with codifying the principles he's derived over the years makes for a very enlightening read. He articulates those things that most experienced developers have a gut feel for but have difficulty putting in to words.

My only criticism is the need for a proofing scrub. There are inconsistencies between some of the class and method names used in the narrative versus those used in the accompanying diagrams and examples. In some cases, this is a bit confusing.

This book has had a profound effect on my coding. Uncle Bob does a masterful job putting together the fundamental principles, patterns, and practices that make him and his cohorts gurus. This book introduced me to a number of very important ideas in a very real context and helped me solidify some of the things that I only kind of understood. If you don't have your own personal guru to learn from, this book is the next best thing.

I rarely read books, but this one caught my attention (possibly because of the fact that it is a true story). I just could not put this book down. I had read for several hours the first night. I did, however, have to turn on several lights because I kept hearing strange noises in the dark! (And the slightest creaks had really startled me!) After I could no longer keep my eyes open (after three in the morning), I did have to try to get to sleep (not completely in the dark, though). As soon as I got up less than six hours later, I picked up the book and I didn't put it down until I was finished. I was so hoping for a happy ending after all of the torment the family had endured for so long. Their story is completely believable and extraordinarily written!
I would give this book a lot more than just five stars. Superb!

I read this book after I had read IN A DARK PLACE., this book is just as terrifying. It tells the story of THE SMURL FAMILY who just happend to move into what they thought was a quiet and peaceful house . How wrong they were!!! this book goes from the first paranormal incident up into the WARRENS investigation with chilling details. While reading this book I felt the hairs of my neck curl up you definatley can't put it down. I felt that the tv movie doesn't give THE HAUNTED justice at all, my advice is too read the book only but be warned it'll make you think twice about the things that go bump in the night.

I just got done reading "The Haunted"...I do believe it to be very true. My heart went out for the whole family. I was wondering what has transpired since the writing of that book after they moved. Also, I wondered how the children all fared, growing up in this horrible environment. I found myself frustrated that more people didn't try to help the family sooner and wondered where all the "preachers and priests" who know the Bible, were, at this family's hour of need! If anyone has any information as to what happened to the family after this book was written, please send me information as to where I can find it.....in book form or information from anyone who knows. Thankyou. Send replies to Crystalcarnation@aol.com